What to Think About When Breaking the 9 from the Spot

Turning Stone Champion Mika  Immonen with runner up Erik Hjorleifson January 2016. 

By: Erik Hjorleifson 

Hello everyone I have been on a bit of a hiatus from my instructional column. I can assure you that my instructional mind has not been on break and I hope to bring you some great new content in the next few months. Today I would like to talk about a new skill which mainly applies to professional events, but for amateurs at the very least I hope they will be able to take away some viewing knowledge from this article. Up until recently playing 9 ball with the 9 ball racked on the spot was something that was only seen in Matchroom Sport events. As of 2016 the U.S. open and the World 9 ball Championships have also chosen to adopt this rule change. 

The spirit of the rule is to stop the corner ball in the rack (wing ball) from going straight in the pocket. Logically it would make sense because the rack is much higher so you would assume the corner ball would tend to hit the side rail rather than going in the corner pocket. Before I go forward lets remind ourselves that the goal of breaking in any pool game is to hit the rack in a way the same balls in the rack are consistently being pocketed.

What has been seen since the implementation of this rule is that it is still possible to make the corner ball in the rack but you must cut the break.  In other words send the cue ball to the side rail in order to make the corner ball. Here's where it differs from having the 1 ball on the spot, assuming using a magic rack or the balls are racked perfectly you can almost hit the rack in any way and the wing ball will still go in. Conversely with the 9 on the spot the contact point on the 1 ball becomes very specific, here are some things that are imperatively important to achieve consistent results when breaking with the 9 on the spot.

#1 You must cut the rack in order to make the corner ball

# 2 In order to achieve maximum separation after hitting the rack the cue ball must hit 
between the middle diamond of the side rail and the diamond closest to the side pocket

#3 at this previous contact point the one ball also tends to go in the side pocket most consistently

#4 the contact point on the one ball is at about a half ball angle, angling towards the rail

#5 if you cut the rack to much or in other words the cue ball is going towards the corner pocket to much the balls on the same side of the rack that you are breaking from can jam in the corner pocket on the same side and negative results will occur.

#6 this is all assuming using a magic rack or the balls are racked perfectly.

Here is an example of a well executed break on the 9 on the spot.

First break is at 3:12, watch the replays to see exactly how the cue ball moves in the seconds following. Looks easy but it is definitely not, very contact point specific. I will say it again if you hit this  break square like you would with the 1 on the spot nothing like this will ever happen. 

As a side note, when Matchroom Sport first started racking with the 9 on the spot they implemented the "three balls past the head-string" rule. In the past few years they have gone back to 9 on the spot without the 3 balls rule because they found that players were having a hard time achieving the a legal break. To the best of my knowledge the W.P.A (World Pool Association) will be using the 3 balls past the head-string rule at the world championships this year, the difference is they will be using magic racks where as Matchroom racks the balls by hand.

Overall breaking with the 9 on the spot is relatively uncharted territory. However for your interest if you have a chance to try the things I have talked about, you will be able to get a feel for what the pro players will be trying to achieve at this years world championships. One final note, I have not seen a player be able to consistently control the one ball off this break which I think is a good thing for the game.

Backstroke Fundamentals

By: Erik Hjorleifson

Greetings everyone hope you have had a great summer! We will all take the last the last breaths of warm air and as always pool season will once again kickoff within the next few weeks. This past week I was at the Turning Stone tournament in Verona New York and I must say the overall strength of the field was higher than I have seen it in quite some time. This year I watched more matches than usual and my attention as it usually does when I am watching pros, focused on the backstroke facet of their fundamentals. I have written about this before and I would like to visit the topic again adding a little more insight into what I believe is one of the most important aspects of proper fundamentals.

The main thing that is different in the characteristics of the backstroke of professional players is the length of their backstroke. Some pros have longer backstrokes and some are shorter.

Here are some notable pros with longer backstrokes:
Shane Van Boening
John Morra
Jason Klatt
Albin Ouschan
Earl Strickland
Neils Feijen
Most top professional snooker players

Average Length Backstroke:
Darren Appleton
Jayson Shaw
Johnny Archer
Ko Pin Yi
Dennis Hatch

Short backstrokes:
Fong Pang Chao
Rodney Morris
Lee Van Corteza
Dennis Orcollo
Shaun Wilkie
Mike Dechaine

Players that use a longer backstroke tend to have the slowest pace in their backstroke and tend to look the smoothest when playing.

Strengths:
Breaking
Safety play
Positional play

Weaknesses:
Potting
Consistency

Players that use an average length backstroke tend to have an average pace backstroke. In my opinion these are the most consistent players.

Strengths
Potting

Weaknesses
No real common weaknesses

Players that use a short backstroke tend to have the fastest pace backstroke.

Strengths
Potting

Weaknesses
Positional Play
Safety play

Skill in kicking in my opinion does not have any direct correlation to stroke length. These are all generalizations of course but over the years these are the tendencies that I have noticed. To say that Shane Van Boening is a weak potter is obviously false and to say that Dennis Orcollo has  weak safety game is false, the observations are more geared towards amateur players.

Pros have so much experience in the game that they find ways to make their styles work for them. The question lies what length and pace of backstroke is best for you. In my opinion take a look at the tendencies I have listed and figure out if any of the areas that I have listed are major problems for you and if changing your backstroke can help those areas. Generally the most naturally talented players are best suited to longer backstrokes. These players tend to have a very high gear, they also tend to need to spend the most time practicing. Personally the way that I want to naturally hit the ball is with a longer backstroke.

If I could choose any style it would be a medium length stroke but I have found that I have a hard time following through the ball properly with a medium length stroke. That being said I have known for a long time that my biggest weakness is potting and I am convinced that it is related to the longer length of my backstroke. After watching this weekend I have decided to try and shorten my backstroke to cut down on missed pots. I've tried it a few times since and it seems to helping. Finally no matter what length your backstroke it is is important not to rush it and the shorter your backstroke is the faster it will tend to be. Something to think about............hope this helps, thanks Erik.









   

Pushing Out Strategy From "Big Red"

By: Erik Hjorleifson

Hello everyone as the season is winding down I hope you have all done well in your season ending tournaments. For those of you that will be competing at the B.C.A and A.P.A championships in Vegas in the next few weeks I am sure you are not quite ready to put your cues away just yet. Last weekend I played in a finale tournament in Newmarket, Ontario. I had a good finish and was happy with my result on the day.

In the winners side final of this handicap tournament I found myself at hill hill and it was the opponents break in this alternate break format tournament. He broke made nothing and left me in a situation where I had to push, it took me about two minutes before I finally decided where to push. The fact is that a pushing situation is probably the most variable shot in 9 ball that can come up because there are really no restrictions to what you can do, here are some of the thought processes that I go through when pushing.

Firstly try to be positive about the fact that you did not get a shot off the break, if you break and have to push be happy that at least you didn't come up dry and leave your opponent a shot. If it was your opponents break and they did not make a ball be positive about the fact that they did not make a ball and have a shot at the 1.  Positive mental attitude is such a big part of consistent performance as I am sure we all know.

When you are pushing you have to accept the fact that for the moment, especially against a good player, you are an underdog to win the game. This is inevitable because after the first shot your opponent has the choice of whether he wants to take the option of shooting or not. The classic push makes us push to a shot to where you will be a 40-45% underdog to have the advantage after the next shot. In other words you will have to execute a nice to shot to have the edge when your opponent returns. You need to around 40 45 percent because if you go closer to 50 then you risking your opponent accepting it and that's not the goal of a push

It goes without saying that you cannot push to a spot where your opponent has the advantage. Because he will then just take the shot and probably put you in worse trouble when you return. On the flip side it is very important to stay within that 40-45% range because if you go lower than that your chances of leaving your opponent in trouble when he gives the push back are not great enough.

When you see two pros playing I would make a rough estimate that 75% or more of pushes will be given back. It's not that they don't see the shot that will be coming next its that they don't think chances of executing that shot are ore than 50%. Some examples of common pushes against pros are pushing to a jump or pushing to a kick safe. Although when pushing against an amateur I would tend to stay away from these types of pushes because the execution factor and knowledge of safeties with amateurs will be much lower. Therefore generally you do not have to put yourself in such a tough spot.

It is all a very complex calculation. Even if you know you should be pushing to a spot that is 40-45%, how do you really know if the shot you've left meets that criteria and especially for amateurs this can be very hard. What you have to try to do, is to the best of your ability push to a place that you think meets the criteria while taking your opponents skill into consideration at the same time.

It is a great feeling to push to a spot where you know you'll have to execute a tough shot if you get it back and to come back to the table and do just that. Again this does not mean executing a very low percentage shot, that will never give you consistent results it means executing a shot in that 40-45% range. Hope this helps, we are very happy with the progress of the site and we thank everybody who has become a fan. I would like to thank my partner Markus for all the hard work he has been putting in, we are looking towards big things in the near future.


     

Road Skills: Adjusting to Different Cue Balls and How they React

By: Erik Hjorleifson 

Good  day everyone I hope all of your year end tournaments are treating you well and for those in play-off's competing for Las Vegas, Cue Sport Nation wishes you the best of luck. Every Tuesday I offer instructional help at a local league here in Toronto. Recently after a major rent increase by the landlords the room owners decided to look for a new location and we are completing the remainder of our season at a new room. The playing conditions in the new room are fairly adequate but the one thing they are missing are pro quality cue balls. The ones we are using are probably 20 years old, they are an undistinguishable brand and are smaller than the object balls. Even my intermediate level league players immediately noticed a difference in how the cue balls reacted. For this article I will try to convey what my knowledge is about using different types of cue balls.

I would first like to state that the following is based on my opinion of the feel that I have received from different cue balls. It is very hard to find factual literature about what I am talking about, if anyone has opinions about anything stated, feel free to share them in the comments section.

The two biggest factors that contribute to how a cue ball plays are the size and the weight. The heavier a cue ball is the harder it is to draw (this one is pretty obvious), more implicitly the heavier the cue ball is the less it will deflect towards the object ball. The weight of the cue ball is also relative to its size, generally if the cue ball is heavier or bigger than the object balls they will cut less than the natural angle. When we played bonus ball however the cue balls were bigger than the object balls and the object balls seems to cut more, this one still baffles me to this day. I think it had something to do with the overall make up of the material used in the bonus ball sets. That being said the cut angle is not as big of a factor as the amount that the cue ball will deflect towards the object ball, again the lighter the cue ball is the more it will deflect.

Another factor that also is often overlooked is the colour of the cue balls, this one is very deceiving because you can have the same make of ball playing differently relative to its colour. Cue balls that are more yellowish in colour are usually newer and more dense, these cue balls draw and deflect less than cue balls that are lighter in colour. I have noticed that you tend to see difference in colour most often with Super Aramith Pro Cup cue balls.

Here are the four most commonly used cue balls that can be found in competitive scenarios

#1 The Super Aramith Pro Cup cue ball (The measles ball)

Out of the four that I am listing I believe this is the heaviest and also the largest in diameter. I believe that it plays the truest as to the proper reaction it should display.

#2 The Aramith Red Circle Cue Ball

You will find these most commonly used on diamond bar tables or in rooms that have diamond tables. I find this cue ball to be a little lighter than the Super Aramith Pro Cup, it is also in my opinion closest in size to the size of the object balls.

#3 Aramith Pro Cue Ball (Has an Aramith symbol)

Of the cue balls listed this ball is the lightest, For a number of years it was the #1 ball on the market but has been overtaken by the measles ball, of the three listed it deflects the most an will draw the easiest.

#4 Cyclops Balls

These are new on the market, they are made in china and it would be very rare to see them in a North American pool room. However they are used in all events that are promoted by Mark Griffin and CSI International including the Derby city Classic and the B.C.A.P.L championships in Las Vegas. I have limited experience with these cue balls but I would say that they play somewhere in between a measles ball and a red circle cue ball.

There are also many other types of balls that you will come across in your competitive travels, including different qualities of object balls, which will affect play as well. My best advice is to keep a mental note of how they all react and develop a feel for them that you can recall at any time. The fact is you cant be thinking about everything in this article when you're down on a ball, you have to make it all a part of your subconscious feel which is the most important thing in billiards.

Big Red Instructional: Breaking Down a Run Out Drill

By: Erik Hjorleifson

Good day Cue Sport Nation readers. I found this drill on Facebook a few weeks back and although I am not personally a huge fan of drills, I do think they can be beneficial especially when the shots that you have to execute in the drills are applicable to real game situations. I like this drill because most of the shots deal with balls that are very near a rail which is very common in the rotation games, particularly 9 ball. It also involves going up and down table on each shot which adds a nice level of difficulty in the drill. I don't know the player shooting in the video but he looks like a strong semi pro caliber player, and it is nice to see someone execute it with good quality.

                                            Video from poolbilliards.co

For your interest I am going to give some insight into how he executed the shots in the drill.

Balls 1 to 3 

-The 1 ball is fairly straight forward because he starts with ball in hand, I think there are two ways you could try to play position on the 2. You could take the wider track like he did or you could try to get straighter on the 2, I like the way he played the shot because this way you take out the variable of landing to straight on the 2.

-The 2 to the 3 is a nice shot, usually this type of shot is played drawing the ball past the side pocket not before it but because of the angle of this particular shot he executes it correctly. Notice that instead of floating the cue ball one rail he uses 2 rails for better control.
-the 2 to the 3 is pretty straight forward, using the rail to pay into the angle of the 4.

Balls 4 to 6

-The 4 to the 5 is a classic straight back power draw, watch how he lengthens his backstroke and follow through on the shot to create more power.

-On the 5 to the 6 I think I would have used a closed bridge, because the speed of the shot is pretty high. I would like to note as well that on shots like the 2 to the 3 and the 5 to the 6 he could also go 3 rails forward but the positioning of the balls in this drill dictate him to draw the ball two rails.

-The 6 to the 7 is a little tricky because I believe he over hit the position on the previous shot, he wanted to play more to the middle of the table. Kind of odd that he over hit it by so much but if he wasn't trying to play it to the middle I would definitely recommend to do that. I cant tell if he had the angle to go forward from the 6 to the 7 but if he did that is the right shot, if he chooses to draw it like he did I would have tried to draw the cue ball all the way back to the side rail and back into the angle for the 7.

Balls 7 to 9

- The 7 to the 8 is a simple one rail but notice the he chooses to play the natural angle instead of drawing the ball which some players might have done. He makes the right choice here, whenever you can move the cue ball naturally, or naturally with a tip of spin it is almost always the right choice.

-The 8 to the 9 is also a natural 1 rail follow

-the 9 to the 10 is one of the shots I'm not going to say what he did was wrong but personally I would draw the cue ball 4 rails to try and get underneath the 10 creating a more natural angle to get back on the 11. Notice that he ends up over hitting the shot from the 10 to the 11 which left him in his toughest spot in the run out.

Balls 10 to 12

-From the 10 to the 11 I would've followed the cue ball 1 rail to try and get more angle on the 11. The max draw angle on that shot was always going to leave him with a straighter shot coming off the third rail.

-From the 11 to 12 he executes a nice closed bridge on the rail shot this is a very tough bridge to execute and I would never suggest it unless you are powering a ball like he was here, you could also hit this with an elevated open bridge. It
 was a tough shot all around and he got a little lucky with the cue ball, almost scratching but all around a very nice out.

I recommend that you watch the video 3 shots at a time to better follow the instructional analysis. Good luck hope this helps.

Managing Expectations

By: Erik Hjorleifson 

Hello everybody I have been on a short hiatus from my instructional posts as we went through the busy season of the pool year.  As the year winds down I will have more time and you can expect my bi weekly articles to be back on track. The first week of April we had our national championships at the Delta Hotel in Mississauga, Ontario. Among the many friends I saw there was Chris McKenzie, a professional golf instructor now living in Alberta. In one of our conversations, Chris shared with me an analogy pertaining to the mental game and I would like to share it with you today.

The basis of the theory is to not put unrealistic expectations on ourselves. This is something that I think a lot of pool players do. I am not relating the expectations to the overall outcome because of course we all expect to win but more to the overall in game performance that may or may not lead to the winning outcome. The theory asks us to imagine a jar of about 20 black and white pills, if you like you can even imagine those pills as different shades of black and white. Now imagine that for each shot you take on the pool table you are randomly choosing a pill from that jar. The whitest pills represent a perfectly executed shot, then there are darker white pills that represent a shot executed at an average level. For example you pot the ball but your shape is not perfect. Secondly there are the black pills, they represent things like misses, positional errors and fouls. 

The goal of the theory is to raise awareness that EVERYBODY has some amount of black pills in their jar. For example on a tough long pot on the nine ball a world class pro might have 4 black pills out of 20, a semi pro might have 7, an amateur could have 10 or more.  Even if you literally choked to the point where you just couldn't make the ball the theory asks you to not blame yourself. Rather to be realistic about the fact that at this point in your game you are either not comfortable enough in the situation, there are problems in your fundamentals that give you a lack in confidence or a number of other things that lead to you having a certain number of black pills in your jar. The more bad ones you have the more likely you are to pull one out, the key is to figure out why you have the black pills in the jar and work on the areas that will lower them.

I think if you at least think about this periodically it can help you stay calm in a match, not getting to the point where your performance is compromised because you are flustered mentally. One of the worst things a player can do is to be in their chair with a scowl on their face because they feel embarrassed or upset about making a mistake. The theory asks you to rationalize that if you have 10 black pills out of 20 there was a fifty percent chance that you would not execute and there is no need to be upset or to carry a negative emotion along with you in the match. If you can just sit down and have a little laugh about it and say well I just pulled another black one gotta get rid of those, it will help you to stay positive.

For me at the Canadian Championships this year most of my black pills were on the break and in long potting. The potting was skewed because there were only ceiling lights at the venue and no direct lighting over the table but I rationalized that the lighting gave me a larger number of blacks and tried my best to accept it. I finished second in the 8 ball and the 10 ball divisions and I think the #1 reason I did well is because I stayed calm, not all because of this theory of course but I did think about it quite a bit during the tournament.

This is a theory courtesy of Dr. Rick Jensen, he is a professional speaker who helps businesses attain goals and works with the P.G.A as a sports psychologist. Here is a sample from one of his seminars:  

.

Thinking the Right Way

By: Erik Hjorleifson 

Good day everyone today I would like to bring something up that I experienced while playing a regional tournament in London a couple of weeks ago. This was an Open tournament with no handicaps and I came in as a pretty big favourite. Most of the best players in Ontario were there but there was only one player that I would consider at a pro/world class level.

The draw was done in this 64 player field and I immediately found myself looking for where this other player was located in the draw. The first few rounds I played some good players but still felt like I was coming into the match as the favourite. As I stated earlier I saw that I would be playing the other favourite in the tournament in the final 4 on the winners side. It ended up being a long day as they decide to finish the tournament in one day, as it progressed and I was winning my matches I kept thinking intermittently about the big match-up in the final 4. 

In this match my overall mental makeup wasn't the same, although I have a winning record against this player I played at a much lower level in this match than I did during the other matches in the tournament. Turned out I was fortunate and won the match but I remember that in the next round which was further along in the tournament  and even more important in a way, I went back to my normal mind frame coming in as the favourite. I played good and won fairly easy, this day reminded me of possibly the biggest mistakes you can make in pool and that is worrying about who you are playing or being intimidated by your opponent.

I think this is very evident when amateurs or even semi pros are playing a pro level player, at this skill difference a player might think he has lost the match before it has even begun and this is a fatal error. Of course there are scenarios where a beginner level player is so far apart in skill level that reality is they will probably never win but any kind of skill difference such as pro to semi pro or strong amateur to weak amateur there is no reason to ever think like this. In any kind of handicap scenario the same should always hold true.

I was recently watching a post match interview with Dominika Cibulkova (CZE) at the Australian Open tennis tournament and the interviewer mentioned that she would be facing Serena Williams in the next round, the first thing she responded was that she wasn't even aware of that and she never looks at the draw until she's advanced. Sounds a little extreme but you could tell by the way she said it that she really didn't know, personally I'm not sure if I could go as far as Cibulkova did but the lesson of the story is that she is only worrying about her own performance not her opponents.

On the flip side sometimes you will hear players saying I took my opponent for granted or they were brought down to their level or that the speed their opponent was playing at threw them off. I generally find these to be a pretty poor excuses but I hear it often and  comes back to the point I am trying make. Which is to try and stay within yourself as much as you can and worry about your own performance rather than anything related to what your opponent is doing. It is all easier said than done but I thought I would bring up the topic because I noticed that it is something that after 20 years of playing still crept in to weaken my mental game a few weeks ago. I can tell you that if its not something that you are willing to work on it can be one of the most detrimental things in pool.

The Importance Breaking and Running

By: Erik Hjorleifson

Hey everybody Happy New Year and all the best wishes for a prosperous 2015. Today I would like to shed some light on an aspect of the game that we all know is very important, which is the break. After playing at the Turning Stone event this week which was a winner breaks event, I was on the receiving end of a set where my opponent John Morra broke and ran about two thirds of the breaks and left me in his dust beating me easily by a 9-1 score line. He also beat Mika Immonen 9-1 in the winners side final with a similarly dominating total of break and runs.

As the tournament went on I was very impressed with how consistently Morra was hitting the rack, as this tournament was a rack for your opponent and break from the box format, you couldn't really rely on making the wing ball every rack. What I noticed from Morra was that he had figured out the proper speed that when he wasn't making the wing he was making the 1 in the side as a back up. Making the 1 in the side is relative to the contact point on most tables when breaking from the side rail the 1 will go near the side pocket on the opposite side of the table you are breaking from. Something very important to note here is that if the one is going short of the side you need to hit the break softer, conversely if it is going past the side you need to hit the break harder.  If anything, you want to make sure the one doesn't go past the side because when it does it general banks off the rail and ends up in the middle of the top rail where it is tough to pocket. If it is cutting short of the side that can be an advantage because in this case it will bank towards the top corner pocket.

In alternate break formats I use the opponents break as a way to promote positive mental thinking. For example if the score is 2-1 for me and the opponent is breaking, I focus hard on getting that break of serve and I expect to win my next break. In other words I am pushing to get to 3-1 because if I get there I think I'm a big favourite to make it 4-1 and the cycle continues. When playing winner breaks, something that you have to keep in mind is to not dwell on the score too much. For example if you're down 4-0 its really not that hard to come back and the same is true for holding the lead, you can never let up when it is winner breaks.

Something that I tell people all the time is that if you don't break and run a rack anything can happen, even if you hook your opponent they can still kick the ball in. People think all the time that they get unlucky when they lose and the fact is in the duration of a tournament if you aren't running at least a third of your breaks, the rolls will usually turn against you at some point. For players that aren't skilled enough to run out when they get a shot I would suggest to learn as much as you can about racking the balls and at least put yourself in a spot where you can run a few balls and play safe. Hope this helps, and good luck.

How to Adjust to Pocket Size

By: Erik Hjorleifson

Greetings everyone, I hope you all had a good holiday season and best of wishes in the upcoming new year. Today we are going to talk about pocket size and some of the different styles of pockets and different ways to adjust accordingly.

This subject came to mind because in the last week of January 2015 they will be holding the World Championships for Chinese 8 ball. The total prize for the event is $500 000 for men and $350 000 for women. The tournament will be played on 9 foot tables with snooker cloth, regulation pool size balls and snooker cut pockets. The rules of 8 ball are exactly the same and the cloth does not have a huge affect on the game but the cut of the pockets changes everything. This will likely be the richest tournament on the calendar in 2015. Many international names have confirmed but no doubt some will stay away because of their inexperience on this style of pocket. The organizers are doing their best to promote the game outside of China where it is a mainstream game. This year they will be offering free accomodations and meals for all foreign players who wish the make the trip over to play in the qualifying rounds. I am considering going over and taking a shot at this tournament. I am confident with my snooker and 8 ball background, my one concern is adapting to a snooker pocket cut with pool size balls which is something which I have no experience with.

Here is an example of some Chinese 8 ball action between Shane Van Boening and the #1 seed in this years event and winner of the 2014 tournament Gareth Potts:  https://www.youtube.com/watch?v=G7yvncPecY0 .

There are two major differences in how standard billiard pockets play. One is the overall size of the opening of the pocket, this can range in extreme cases from 3 and 7/8 inches to about 5 inches. The standard size for pockets in a professional level event is 4 and 1/4 inches to 4 and 1/2 inches. The variance here is obvious: the bigger the pocket is the easier it will be to pocket balls.

More imlplicitly though and something that I would like to stress today, is the depth of the pockets. The technical term for deepness of the pockets is called the shelf. In others words how much space is between the front of the horn and the drop of the pocket. Brunswick tables usually have a shorter shelf as well as valley bar tables, this means that generally these pockets will play bigger regardless of the overall size of the pocket. For example a 4 and 1/4 inch pocket with a short shelf will play bigger or at least the same size as a 4 and 1/2 inch pocket with a deep shelf. The reason for this is that when you pocket balls that are near a rail which is the most common shot in most pool games, with a shorter shelf you can hit the inside rail. Once the ball reaches the pocket it has nowhere to hang or rattle out because the shelf is shorter.  Knowing this when you play on tables like Valleys or Gold Crowns, be aware that you can use the inside rail to your advantage. On most other popular tables most notably Diamond tables, the pockets are cut deeper giving more room for the ball to hang when the object ball grazes a rail on the way to the pocket. Therefore be aware that on deeper pockets it can be beneficial to play to the outside of the pocket, staying away from contacting a rail on the way in.

The worst case scenario in the cut of the pockets are if the slate is not attached to the rail at the same point or in other words one side of the pocket is deeper than the other. However barring any shotty work from a table mechanic you shouldn't have to worry about this very much. Remember that the overall size of the pockets should always dictate the degree of difficulty in the shots you attempt. I personally enjoy playing on pockets with shorter shelves because I believe the game should be more about the artistry of position rather than pocketing balls. I hope this helps and good luck to everyone in the 2015 season.

How to Play on a Team

By: Erik Hjorleifson

Hello everybody hope this article finds you well.  One of the biggest events of the year is upon us, the Mosconi Cup, which is an action packed team event. In lieu of this I figured I would write an article about some of the do's and dont's of team play. Some of the "dont's" will be obvious but my goal here is to explain why and to add some suggestions for positive reinforcement during team play.

 I have had several occasions to play under highly competitive team circumstances. I have won the team division at the BCA and VNEA Championships in Las Vegas, played in the World Team Championships and was a member of the Toronto Blue Sharks Bonus Ball team. I would say the toughest of these experiences was Bonus Ball not only because the game was harder but also because the shot clock was so short. In this format players were allowed to coach other players at any time during a match, even during a singles match when they were sitting on the sidelines. If I had the choice I would want unlimited coaching because another player might see something that you don't but in this case with the short shot clock it made things quite interesting. 

I would like our readers to be careful when giving advice though, particularly to a lower level player. In the APA you are allowed one captain's timeout per game, one major mistake that I have seen in these spots is that the captain is giving advice that the other player cannot execute. For example, telling a player to draw a ball 9 feet when they can only draw a ball 3 feet. That is a bit of an extreme example but the idea is that your player must have confidence in the shot they will be shooting. If you see them hesitating on your suggestion, try offering another suggestion that they feel comfortable with.

Another obvious mistake that can be made in team play is making your opponent feel bad about making an error. I know the large majority of us are aware enough that this is a major mistake but we have to be careful even about implicit things like body language when one of our teammates make an error. One good strategy for this I think is to actually make an excuse for your player. 

For example saying something like "I know that shot was too straight to get the position you wanted and that's what made you miss", or "you got unlucky when you tried to break out that ball and it made things tough for you from there". The fact is that when your teammates make a mistake they feel bad not only for themselves but for you as well and when you show a bit of understanding to them it will help keep them in a positive mind frame.

Coming back to the Bonus Ball, different styles of team play were all on display throughout the first season. There was teams like the Phoenix Fire who had a dictator-like style with Scott Frost as the captain directing most of the shots. You had the New York Pride who were more of a team of individuals but at the same time were so talented that they were very successful. My team was interesting because we have all been friends off the table for over ten years so we felt very comfortable. But I believe some times that level of comfort gave us some problems on the coaching end of things because we felt like we could just say anything to each other.

 The team that ended up winning the first season was the Minnesota Outlaws with Ralf Soquet, Thorsten Hohmann and Jesse Engel and their professional, level headed, business like style carried these players through to the end. For those of you who missed some of the action you can view every regular season and playoff match at http://wpbltv.com/

One of the most powerful things in team play is to develop  good team unity and morale, something I feel the Europeans have  done better than the Americans in recent years at the Mosconi Cup. Don't be afraid to congratulate your teammates with a high five or a pat on the back when they win a game, with respect to your opponents of course. 

I have seen it written before that one of the greatest highs in life is winning or getting something accomplished as a team and it is something that we all seek out. Stay tuned to cuesportnation.com in the upcoming week for all the updates from the 2014 Mosconi Cup. It will be an interesting event this year, as the U.S. has brought in some new blood along with veterans Corey Deuel and Shane Vaa Boening in an attempt to switch the fortunes that they have had in recent years.

How to Deal With and Get Out of A Slump

By: Erik Hjorleifson
 
Hey everybody, I hope the beginning of the 2014 pool season has been treating you well. As all  pool players know, and as is similar with life in general, everything goes in cycles. In pool sometimes it feels like you can do no wrong and sometimes it feels like you are struggling to do anything right. Today we are going to look at some of the ways to develop consistency and learn how to try to better deal with the ups and downs in your game.

Personally I have been in a bit of a slump lately. After two close losses at the U.S. Open in mid October I have played a couple of tournaments in Ontario where I felt like I was a pretty big favourite and had some disappointing finishes, not finishing in the top 4 in either event. This had made me think a lot lately about numerous aspects that will help me get back on track. There are so many factors that go into winning or losing a tournament. It is almost without fail that when we do well or win a tournament  we can look back at one or two instances where we could have lost, and as fate would have it the pool gods were looking upon us. Not by any means taking away from what Shane Van Boening did to accomplish his 3 peat at the U.S. Open this year, but let's not forget that he won 3 matches hill-hill along his path to victory. 

That being said it is uncanny how often top players will come ahead with a hill hill victory, rather than be put to the sidelines with another story of a match that almost was. You can see the same thing happening in tennis when the best players go to a tiebreak, they just seem to have that x factor that brings them through in crucial times. So the question is how do we develop the traits of a consistent winner?

#1 - Developing a proper fundamental base that can be consistently repeated  

#2 - Making sure you are prepared; preparation includes proper sleeping patterns, proper eating habits and putting in an adequate amount of practice leading up to an event

#3 - Avoiding being in a negative mind frame and being unfocused

#4 - Developing a consistent level of confidence
       Things that can get in the way of confidence are:
         - Worrying about who your opponent is
         - Not having strategies to recover from easily missed opportunities
         - Worrying about the prize money

People will have many ways to deal with these factors but I can tell you that one foolproof way that will make you stronger in these areas is to put yourself in the mix of having to overcome them. The more often you play good players, the less intimidated you will be by them. The more times you play for big prize money, the less you will be affected by it.

People deal with losing in many ways and the fact is that no one likes to lose.  I think the most positive thing we can take from losing is that it gives us a chance to evaluate our weaknesses. On the day we unfortunately make these mistakes it causes us to have a negative result, but in the long run we can draw on them to make an overall improvement in our consistency. As long as you have prepared properly and have given 100 percent effort you should never feel bad about losing. At the same time try to be aware of the different factors that made that preparation break down. I hope this helps and hopefully you will be doing more winning than losing throughout the next year.

Jump Shot Technique and Strategy

By: Erik Hjorleifson 

One of the most overlooked skills in pool is jumping. In reality it is a very big skill; being a strong jumper means that you will give up less ball in hands and jumping at a ball and pocketing it can change the complexion of a whole match. Some of you might remember Shane Van Boening's creative jump in the final of the U.S. Open this year where he wasn't able to reach the shot, so he used a stacked bridge method to jump the ball. I have seen Alex Pagulayan do this on one other occasion but admittedly I have never attempted it myself.

Here is the video for your interest (see below). For those that cannot see this video search "Shane Van Boeining 30,000$ Jump Shot" in Youtube.

One of the biggest things to remember when jumping is to try and contact the cue ball below center. This accomplishes a few things:

- When jumping the cue ball will be bouncing towards the object ball. When the cue ball is struck with draw it will spin backwards off of the object ball. The other effect when hitting high on the cue ball is that it will continue going forward and because it is bouncing it can tend to jump the rail and go off the table.

-Jumping with draw will also cause the cue ball to bounce less as it is travelling towards the object ball, this will give you a better chance of hitting the proper contact point on the object ball.

-Thirdly, this concept is hard to explain but from my experience the ball seems to jump easier when you strike the cue ball below center.

Something that is very hard to accomplish when jumping is being able to look at the object ball last, instead of the cue ball. I once asked the strongest jumper that I have ever seen what made him so good and he said that he looks at the object ball last instead of the cue ball. However this is a lot harder to do than you think because the elevation of the shot will make you want to look at the cue ball rather than the object ball. If you do look at the object ball last you have to trust that your stroke will be dead straight as well because catching any side spin on the cue ball will alter the path of shot a great deal. If this is something that you have never tried I would give it a shot but I will reiterate that it is actually very hard to do, it is my belief that most pros look at the cue ball last when jumping.

An underrated option when jumping is jumping to play safe. Percentage wise only the best jumpers in the world can be considered a favourite to jump in balls that are already tough to pot without the added difficulty of jumping. When you play safe the contact point of the shot becomes much bigger, this is something that I do on a regular basis. Pushing out to jump shots is also something that is often overlooked.

There are three main styles of jumping, there is the "dart style" which some people say jumps the ball easier, personally I find it hard to get power with this method. For people that are shorter or people that have a hard time getting their body into a position that they can elevate this can be a successful method. Secondly there is a method where you bring your forearm to a side arm position. This also works well for people that have a hard time elevating. Shane Van Boening uses this method and I find him to be a very strong jumper. Lastly and this is the method that i would recommend, you can simply elevate the cue in a normal shooting position. The key to executing this properly is to have enough flexibility in your shoulder to be able to achieve the proper elevation.

There are many factors that have to come together to be a strong jumper and the fact it that it takes a lot of feel and the best way to develop that is hard practice and repetition. I will be releasing my first instructional commentary series very soon, the idea will be to comment on pro matches adding a visual learning component to our instructional material.

When to Use Draw or Follow

By Erik Hjorleifson

Hello again everybody, I hope everything has been well with you and hope that you have had a good start to your 2014-2015 pool season. For our instructional today we are going to talk about the importance of using follow as opposed to draw when both options present themselves.

This is a topic that comes up regularly when I am instructing. The basis behind the theory is that draw is affected a great deal more by speed than follow is.  Also, the distance between the two balls will make you have to judge how low and how hard to hit the ball. Thirdly the cut angle of the ball dictates how much draw and speed you will have to use when executing the shot. The problem with these three things is that they all require feel, which no matter how accomplished you are can be misjudged.

When following a ball the most important thing to know is the natural angle that the cue ball will take after potting the ball. You must remember that the higher the speed that the cue ball is struck at, the higher you must go on the cue ball to hold that natural angle. For example at a low speed the cue ball can be struck a little above center and it will still follow the natural angle but at a higher speed it will stun follow at that same contact point. It is a challenge to learn all the natural angles but when you do it becomes easier than relying on the feel involved with using draw.  The natural angle does not vary with the distance between the object ball and the cue ball so this is another advantage to using draw.

A very common case where using follow instead of draw arises is when you can change the path of the cue ball with follow and spin (usually outside english) and obtain the same result as if you were to draw the ball.  This case would usually arise when you could use soft draw to end up at the same point as using follow and outside. Soft draw is the toughest draw shot to judge so try and look for these spots and you will see an improvement in your game.

The main thing when choosing to draw a ball is to determine if using draw will make the cue ball travel less. If this is the case then draw could be the right choice for the shot but if the cue ball is moving the same distance or close to the same distance when following, then follow is usually the right shot. As a side note I would like to add that when shooting the last shot like the 9 ball or the 8 ball, you should almost always use a medium stroke with draw causing a stop shot. This allows you to hit the ball more confidently and on the last shot, position is not important so the other factors involved with using draw are not relevant. Thanks for your time and I hope this helps. I will be off to the US Open next week and will be writing daily updates so stay tuned.

Backstroke Pace

By: Erik Hjorleifson

Hello again everybody, pool season is right around the corner and its time to put away the golf clubs and dust off the cues for another action packed year on the felt. Today I am going to discuss something that I believe is the most important aspect of fundamentals, it is one of the first things I look at when I am assessing a new student. This aspect of fundamentals is backstroke pace.

This fundamental in my opinion is the most overlooked and the most common flaw amongst amateur players. Try to visualize for a second in comparison to other sports that are stroke related. In golf you bring the club back slow and then accelerate towards the golf ball. In tennis you bring the racket back slow and then accelerate towards the tennis ball, in archery the string of the bow is loaded up slowly then the natural physics of the bow allow the arrow to accelerate until it is released. It is amazing to me how few players apply these concepts from other popular sports into pool.

Here are some of the negative effects from not having proper backstroke pace:

#1 You will not be in control of the line of your back stroke and twisting through the stroke will be a lot more common.

#2 Try to visualize this, to hit the cue ball purely the forward stroke must be accelerating towards the cue ball. If your backstroke is too fast you will not always be able to accelerate at the cue ball because it will force you to over hit the cue ball. This subconscious knowledge of over hitting the ball will also cause you to decelerate towards the cue ball which is a major mistake.

#3 Improper acceleration which again is a flaw that derives from a rushed backstroke will also cause you to follow through the cue ball less. Following through properly is imperatively important for advanced level shots like power draws and power follows.

Some instructors will say that the backstroke pace should always be the same, I do not necessarily disagree with this but it is my personal belief that your backstroke should be the slowest when hitting pocket weight shots, should be at a medium pace when hitting medium speed shots and at a faster pace when hitting power shots. In each case the backstroke speed should be slightly slower than the forward stroke speed, ensuring that you will be accelerating towards the ball.

Some pros that have beautiful backstroke pace in my opinion are Shane Van Boening, Earl Strickland, and John Morra. In snooker almost all players play with a slow backstroke and I believe the one that executes it the best is Ronnie O'Sullivan. In pool you also have players like Dennis Hatch, Alex Pagulayan and Johhny Archer that have shorter backstroke and those players tend to bring the cue back faster. But the key is they still bring it back with good pace and are still accelerating towards the ball. If this is something that you have never considered give it a try next time you get to a table and I guarantee you will notice the difference. Take care and keep shooting straight.

Bar Box 8 Ball Strategy

By Erik Hjorleifson

Good day everybody, hope you are all doing well.  This weekend I was in Ottawa for an 8 man bar table event. Although I haven’t played much in the last 10 years, as most of the events in the Toronto are nine foot 9 ball events, I do have a fair bit of experience playing bar table 8 ball in Western Canada and the Northern Midwest dating back to when I grew up in Winnipeg, Manitoba. For this week’s article I thought I would write about some of my views and strategies of playing 8 ball on the small tables.

As with many pool games the most important shot is the break. In 8 ball the break is particularly important because if you pocket a ball, you will have the choice of any of the remaining balls on the table to begin your run with. Where as in 9 ball or 10 ball you only have one ball to shoot after the break.

When I was younger I played a lot of competitive 8 ball with players like Shane Van Boening, Jesse Bowman, James Baraks, Chad Vilmont, Rory Hendrickson among many other good players from Western Canada and Minnesota. At that time I can tell you that at least half of the top players were using the second ball break. Personally I have been more attracted to the head ball break, but have won tournaments with both.

In any break you are looking to execute one that will pocket the same balls consistently. For the second ball break you are looking to pocket the balls in the very corner positions of the rack directly, in either of the bottom corner pockets. If you are not pocketing these balls consistently I would tend to move away from this break. It can be a very effective break but in general your chances of fluking a ball other than the two corners balls is lower than when breaking from the middle of the table.

In preparation for the tournament this weekend in Ottawa I practiced breaking from the middle and also a little bit on the second ball and found I had more success from the middle. I was talking to a knowledgeable friend of mine who had recently been in Vegas for the B.C.A.P.L and he tried to convince me that the top players were breaking second ball. I was skeptical so I went online and searched the 2014 U.S bar table 8 ball championships to see where the best players were breaking from.  After watching Skyler Woodward, Shane Van Boening , Thorsten Hohmann and Jayson Shaw all breaking head ball from the middle of the table, I figured that was enough evidence for me and decided to go with and stay with the head ball break this weekend.

The one thing I did notice that was different was the way that they were breaking from the back rail instead of breaking closed bridge from the head-string. I’ve seen some good players do this lately playing bar table 10 ball, but this was the first time I saw it playing bar table 8 ball. My feeling is that they are doing this because they were playing on a diamond table using the magic rack and felt like the balls behind the one were wired straight back in the side. It is easier to execute a break from the back rail than a break with a closed bridge from the bed of the table but I feel like you can’t hit the balls as hard from the back rail. Under the the conditions at the U.S. bar table championships the top players chose to use a more controlled break rather than hitting the break harder and relying on fluking a ball.

This weekend in Ottawa the conditions were valley tables and the format was rack your own. Every player in the 8 man invitational tournament chose to break head ball. John Morra chose to break from the back rail and I chose to break with a closed bridge from the head string. I would say the main difference in my two victories against John this weekend was that I made more balls on the break. I definitely understand the merit of breaking from the back rail under certain conditions but it is still my belief that on a valley table or even a diamond table without a magic rack, breaking for power rather than control is more beneficial.

Some other quick points in 8 ball:

 -Take your break outs as early as possible

-Move the cue ball as little as possible

-Identify balls that will be tough to play position for and react accordingly

I will cover these points in more depth in future articles, thank you every body and stay tuned as we are looking forward to the launch of our website platform cuesportnation.com in the very near future.